A Chilling Documentary Analysis: Examining a Notorious Incident Through the Perspective of a State Cop's Body Camera

The real-life crime category has a new medium, or perhaps even a whole new language and grammar: officer-worn camera recordings. Faces of victims, observers and potential offenders loom up to the cameras, at times in the harsh glare of vehicle beams or flashlights as the officers approach, their expressions and tones expressing caution or fear or anger or suspiciously contrived innocence. And we frequently catch sight of the faces of the officers themselves, one standing by blankly while the other conducts the inquiry with what sometimes seems like remarkable hesitation – though perhaps this is because they are aware they are being recorded.

An Emerging Pattern in Non-Fiction Cinema

We have already had the Netflix real-life crime film American Murder: Gabby Petito, about the slaying of an Instagram influencer by her partner, whose main point of interest was body cam footage and in which, as in this film, the police seemed surprisingly lenient with the perpetrator. There is also the acclaimed short film Incident by Bill Morrison, composed entirely of officer footage. Now comes a new film by Geeta Gandbhir about the grim case of a Florida mother in a city in Florida, a woman of colour whose children reportedly bothered and antagonized her neighbor, Susan Lorincz. In 2023, after an increasing number of neighbour-dispute incidents in which the police were repeatedly called, the accused fatally shot Owens through her locked door, when Owens went to the neighbor's residence to address her about hurling items at her children.

The Police Inquiry and Legal Context

The investigating authorities found evidence that Lorincz had done internet searches into the state's self-defense statutes, which allow householders and others to use firearms if there is a reasonable belief of threat. The movie constructs its narrative with the officer recordings generated during the repeated police visits to the scene before the shooting, and then at the horrific and chaotic crime scene itself – prefaced by emergency call recordings of Lorincz contacting authorities in a melodramatically shaky voice. There is also jail video of Lorincz which has a chilly, queasy fascination.

Portrayal of the Accused

The documentary does not really imply anything too complex about Lorincz, or any mitigating factors. She is clearly unstable, although the kids are heard calling her “the Karen”, an ugly jibe. The production is presented as an example of how self-defense regulations generate senseless and tragic violence. But the fact of firearm possession and the second amendment (that longstanding U.S. legal right that a late commentator famously claimed made firearm fatalities a necessary cost) is not much emphasized.

Police Interrogation and Firearm Norms

It is possible to watch the police interrogation scenes here and feel surprised at how minimal concern the police took in this aspect. At what time did she purchase the firearm? Where (if anywhere) did she train in its use? Was this the first time she discharged the weapon? How was the gun kept in her home? Could it have been easily accessible and prepared? The police aren’t shown asking any of these surely relevant questions (though they could have inquired in recordings that didn’t make the edit). Or is gun ownership so normal it would be like asking about kitchen appliances or bread heaters?

Detention and Consequences

For what appeared to her neighbors a very long time, Lorincz was not even arrested and charged, only detained and even provided accommodation away from home for the night (another point of comparison, by the way, with the a prior incident). And when she was finally officially taken into custody in the detention area, there is an remarkable scene in which the individual simply refuses to stand, will not extend her arms for the cuffs, not aggressively, but with the courteously pathetic demeanor of someone whose psychological state means that she is unable to comply. Had the kid-gloves treatment up until that point encouraged her to think that this might actually work?

Final Outcome and Judgment

It was not successful; and the panel's decision is saved for the end titles. A very sombre picture of American crime and punishment.

This Documentary is in theaters from 10 October, and on Netflix from 17 October.

Charlotte Brown
Charlotte Brown

Experienced travel writer and cruise enthusiast, sharing insights on Mediterranean adventures and boating tips.